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"Writing about the effects of mechanical reproduction more
than 70 years ago, Walter Benjamin theorized that mass entertainment
created a new form of reception: viewers of cinema absorbed
film in a way that did not require their direct attention. Itself
a kind of prophecy of the fusion of art with everyday life brought
about by the advent of digital technologies, the capacity for
distracted perception hypothesized by Benjamin would seem to
have been multiplied tenfold in our current culture. Mark's
epic work REM (2007) recreates this experience using TV as its
source. Two hours in length, REM, which is compiled from more
than 170 films and TV shows, creates a composite feature film
from disparate clips Mark recorded from television. The work's
narrative is coherent; by definition, film and television provide
the building blocks of storytelling. As one watches the work,
however, it soon becomes apparent that a semblance of coherence
is all that is required; in REM, following the narrative is
akin to the experience of being adrift in your own thoughts.
The work is a parable for our culture - lost inside the figments
of its own imagination. Like Mark's practice as a whole, it
brings a syncretic intelligence to bear on cultural detritus,
ultimately offering us the insight that our culture belongs
to us. The subtle shift in thinking that is required to grasp
this idea is the future of our culture - one that we are already
living in today." |